In some usual rocky terrain, the Maximals are disappointed to learn that their day's expedition has been a waste of time, as the Energon they were searching for is inaccessible. Rattrap whines, saying the situation couldn't get worse, prompting an attack from the Predacons.
The Maximals are at a clear disadvantage, but Rhinox triggers a rockslide that crushes all the Predacons. Optimus commends Rhinox's intelligent tactics, and the Maximals begin their return to base. Megatron also determines that Rhinox is a major threat to his operation and orders Tarantulas to capture the large Maximal.
When Rhinox is a distance behind the other Maximals on the road him, the spider captures Rhinox and knocks the rhino out with some cyber venom. A while later, the Maximals noticed their large comrade has disappeared. Rattrap activates his communicator, and are able to listen through Rhinox's communicator, overhearing the events in the Predacon base where Megatron uses "The Transmuter" to turn Rhinox into an evil Predacon.
While the Maximals are concerned, Primal plans to wait a while before the Maximals make an effort to rescue their friend, yessssssss In the Predacon base , Megatron, and his new underling, Evil Rhinox, get down to plotting on how they can use Rhinox's knowledge to destroy the Maximals - but some technical problems with Megatron's computer halt the planning session. Rhinox is sent to check up on Scorponok's repair of the system which was secretly vandalised by Rhinox. With no witnesses, Rhinox drops several tons of hardware onto Scorponok.
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When Scorponok's flattened body is found later by Megatron and Waspinator , they have no clue who committed the crime. Waspinator deposits Scorponok into a CR Chamber for repair, but flying away, Waspinator is hit with a heavy piece of weight pushed by Rhinox. The impact drives Waspinator into a state of dementia.
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This time, Rhinox's attempt at homicide is witnessed by Terrorsaur , who meets with Rhinox in private. There, Rhinox declines Terrorsaur's offer of partnership and insists that Terrorsaur stay silent.
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Lovers of fine art will appreciate the pastiche while lovers of mortality will appreciate the deadly embrace. Cute and cartoony, this design is a lighthearted addition to the closet of those with a more pastel palette. Creak the door to the coffin open, throw on a tee with one of these dark designs, and face those annoyingly happy bluebirds with a sarcastic smirk on your face. In a past life, if any of us live more than once, I might have been a French poet or horticulturalist.nopucomdoput.tk
Powered by: beautiful cake, morning sunlight and black coffee. Skip to content. Threadless Blog Make Great Together. Dark Designs for Days. Sarah Fischer. Post navigation. You can always add more elevations, but take care not to overwhelm your users with depth. Choose a bright color with enough saturation to stand out at any elevation, but not so saturated that it strains your eyes.
You will need this color for background, borders, and text, so make sure you can easily read text written in your color, as well as on it. You will also want to take care not to choose a primary color which is too close to one of your state colors success, info, warning, and danger which we will discuss later. One minimal option for a secondary color is one which complements your primary color, while also implying a lower priority. Make sure your secondary color meets the same readability standards as your primary. One easy way to do this is to start with your primary color, and tweak the hue and tone carefully until you get a color that works.
You may also choose a striking secondary color for style. Keep in mind that you would be sacrificing the elevation difference in your primary and secondary colors by doing this, so you may want to skip this option if your UI needs greater visual prioritization.
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When it comes to calibrating your shades of white or luminance , consider how much time a user will spend looking at each elevation, and how important the information is at every elevation. Standard minimum text-to-background contrast ratio is Choosing state colors is more challenging than it may look. For each state, pick a color which has enough contrast to stand out against any elevation, while also matching the contrast ratio of the other states.
You will want to choose colors which can serve as background and text colors, while remaining easy to read. Consider a Material UI palette for this. For the record, there is no rule which dictates that you must have exactly four states. Also, you may notice how a few simple rules can spread out over an entire interface and really create some separation and prioritization.